Nathaniel School of Music

Play Jingle Bells on the Piano in 5 Ways: A Christmas Lesson

To play Jingle Bells on piano, play the melody in G major starting on B, accompany it with the chords G, C, A and D, then choose a left-hand rhythm: root-fifth bass, oom-pah, eighth-note oom-pah, a blues/rock 'n' roll root-fifth-sixth shuffle, or a ragtime stride pattern.

Video lesson by Jason Zac · Beginner · 23 min

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Key points

In this Christmas lesson, Jason Zac of Nathaniel School of Music shows how to play Jingle Bells on the piano. The melody stays the same throughout. What changes is the left hand: you start with simple block chords, then try five rhythmic patterns of rising difficulty. It suits beginners who want an easy accompaniment as well as players looking for a bluesy or ragtime challenge.

The melody in G major

The song is played in G major, which has one sharp, F#. The chorus starts on B, the 3rd of the G major scale, and uses lots of repeated B's for "Jingle bells, jingle bells". If you cannot play the repeated B's fast, a simpler version is fine. The chorus is played twice. The second time it has a slightly different ending. The verse ("Dashing through the snow") climbs gradually in the melody. Try picking out the notes by ear, and sing along as you go.

The chords

Chorus

The A major chord is not part of the G major scale. It is a secondary dominant, because it resolves to D. D is the primary dominant of G major, because it resolves to the tonic, G. This A to D to G movement adds excitement before the chorus repeats.

The second time through, skip the A chord. Go C, G, then straight to D and home to G.

Verse

The verse uses G, C and D, then back to G. The D chord fits "o'er the fields we go" because of the F# in the melody.

Starting point: block chords

Hold each chord in the left hand. Strike it on beats 1 and 3 of every bar. This alone is enough to play the song.

Pattern 1: root-fifth bass line

Play only the root, then the fifth, of each chord. Keep it low on the piano and play one note per beat, like a bass player.

It sounds a little like two people playing together.

Pattern 2: oom-pah on the pulse

Alternate oom and pah with the beat. Sing the tune over this pattern first, then add the melody in the right hand.

Pattern 3: oom-pah in eighth notes

Play the same oom-pah twice as fast, counting "one and two and three and four and". Depending on where your right hand plays, you may need to move the left-hand chords lower.

Pattern 4: blues and rock 'n' roll

This pattern is inspired by the Chicago blues left hand, but played straight rather than swung.

Use the same shape on every chord. Watch the A chord: its 6th is F#, not F. Play it in eighth notes for a rock 'n' roll feel.

Pattern 5: ragtime or stride

This combines oom-pah with the root-fifth idea, inspired by ragtime players such as Scott Joplin.

  1. Play oom (G) and pah.
  2. Drop the bass to the fifth (D).
  3. Play the same pah notes again.

You will need quick finger changes, so practise slowly to stop your fingers slipping.

How to practise

Learn the melody and chords first, because they are the foundation. Then work through the patterns in order, singing along before adding the right hand. Once they feel comfortable, try them on other songs too.

Questions about this lesson

What chords do I need for Jingle Bells in G major?

You need G major, C major, A major and D major. The chorus goes G, C, G, A, D the first time and G, C, G, D, G the second time, while the verse uses G, C and D.

Why is there an A major chord in Jingle Bells if it isn't in G major?

A major is a secondary dominant: it resolves to D, which is itself the dominant of G. This A to D to G movement builds excitement before the chorus repeats.

What is the oom-pah piano pattern?

Oom is the lowest note of the chord played longer and smoothly, and pah is the remaining chord notes played short and detached. You can play it on each beat or twice as fast in eighth notes.

How do I play the blues left hand for Jingle Bells?

Leave out the 3rd of the chord and alternate between the root and 5th together and the root and 6th together, such as G-D then G-E. Keep it straight rather than swung, and play it in eighth notes for a rock 'n' roll feel.

Practise it

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