How to Play "What's Up" on Piano (4 Non Blondes)
To play "What's Up" by 4 Non Blondes on piano, loop the chords A major, B minor, D major and A major (I, ii, IV, I in A major) in a 16th-note strumming rhythm, with close right-hand inversions, left-hand root octaves, and your thumbs adding guitar-style ghost notes.
Key points
- The song is in A major and loops A, Bm, D, A (I, ii, IV, I).
- Use close right-hand chord inversions so the changes stay smooth.
- Learn the five right-hand hits in the 16th-note groove against a steady pulse first.
- Play root octaves in the left hand, or switch to root and fifth if the hands collide.
- Imitate guitar ghost notes by tapping in-between 16ths with both thumbs.
What this lesson teaches
This lesson shows you how to turn "What's Up" by 4 Non Blondes, from the 1992 album Bigger, Better, Faster, More!, into a full piano part. The original recording is driven by acoustic guitar, and the piano is barely audible, so Jason Zac adapts the guitar part for the keys. It is a beginner-friendly song, with a few extra tricks for intermediate players who want a more percussive sound.
The chord progression
The song is in A major and uses one short progression that repeats throughout:
- A major (A C# E), the I chord
- B minor (B D F#), the ii chord
- D major (D F# A), the IV chord
- Back to A major, the I chord
In the right hand, play these chords close together using chord inversions, so your hand moves as little as possible between changes. If inversions are new to you, work on them first. They make this song much smoother.
The rhythm
The heart of the song is its strumming groove. The guitarist plays a busy 16th-note pattern. Some strokes are real chord hits, while the rest are ghost notes, where the fretting hand mutes the strings to make a percussive scratch.
Count each beat in sixteenths: 1 e and a, 2 e and a, 3 e and a, 4 e and a. Within that grid there are five main hits per bar that carry the actual chord. These are the strokes you play with your right hand.
Step-by-step
Step 1: Right-hand hits with a steady pulse
Play only the five chord hits in your right hand while snapping or tapping a steady pulse. Do not add the left hand until the rhythm feels secure against the pulse.
Step 2: Add left-hand roots
Play the root of each chord in the left hand: A, B, D and back to A. Once that is comfortable, play the roots as octaves.
Step 3: Fake the ghost notes
The piano cannot really mute a note the way a guitar does, so you imitate the effect instead. Use the thumb of your left hand to fill in the extra 16th notes between the main hits. You can also add your right-hand thumb. With both thumbs tapping in between, you get the busy, strummed texture guitarists create so easily. The groove sounds fine without ghost notes too, so add them only when you are ready.
Step 4: Use the fifth when the hands collide
If your left-hand octave runs into your right hand, play the root and fifth instead. That means A and E, B and F#, or D and A. Don't fix the clash by moving the right hand higher. A higher right hand moves into the singer's range and competes with the vocal, so keep the right hand grounded in the middle of the keyboard.
How to practise
- Start slowly and keep the pulse going with a snap or tap before adding anything.
- Learn the chord changes with close inversions until you can switch without looking.
- Layer the parts in order: right-hand hits, then left-hand roots, then octaves (or fifths), then thumb ghost notes.
- Play the whole song slowly before building up speed.
This is a high-energy song and a great one to play with a band. If you are just starting out, it will teach you a lot about timing and locking in with other players.
Questions about this lesson
What chords are in What's Up by 4 Non Blondes?
The song is in A major and repeats A major, B minor, D major and back to A major. These are the I, ii, IV and I chords of the key.
How do you play ghost notes on piano?
A piano cannot mute notes like a guitar, so you imitate the effect. Use your left-hand thumb, and optionally your right-hand thumb, to tap the in-between 16th notes around the main chord hits.
What should my left hand play in What's Up?
Play the root of each chord (A, B, D, A) as octaves. If the octave collides with your right hand, play the root and fifth instead of moving the right hand higher.
Is What's Up a good song for beginners?
Yes. It uses only four simple chords, and it builds strong timing, especially when you play it with a band. The ghost-note tricks are optional for intermediate players.
Practise it
- Pop LessonsPractice companions for Jason Zac’s pop piano lessons: octave fillers, chord changes and inversions in every key.
- Voicing RoomA hands-on lesson room for piano chord voicings.
- Piano classes at Nathaniel School of MusicLive online or in Bangalore, with a teacher.
- All free music apps40 practice tools for harmony, rhythm, ear training and more.
Related lessons
- How to Play Kingston Town on Piano (UB40 Reggae Tutorial)To play UB40's Kingston Town on piano, use a reggae groove in Ab major: the left hand plays the chord root on beat 1 and the fifth on beat 3, while the right hand plays short staccato chords on every 'and'. Then follow the verse chords Ab, Cm, Db, Eb, Db, Eb, Ab, Eb.
- 5 Piano Chord Techniques That Instantly Sound Pro (Smooth and Organic)To make piano chords sound smooth and professional, use five techniques: finger swapping so notes carry into the next chord, chord flams that roll notes slightly apart, sensible finger duties, clean sustain pedal changes, and soft ghost notes between beats.
- How to Actually Play Bohemian Rhapsody on Piano (Queen Tutorial)The Bohemian Rhapsody piano intro is built on a Bb major chord in second inversion (F Bb D) over a Bb octave bass, played by striking the top two notes, returning to the thumb on F, then crossing the left hand over to strike a high G octave, all held together with the sustain pedal.
- How to Actually Play Don't Stop Believin' on Piano (Journey Tutorial)The Don't Stop Believin' piano intro is in E major over the chords E, B, C#m and A (I-V-vi-IV), played as eighth-note broken chords in the right hand, with a walking bass line whose chord landings are anticipated on the off-beat.